「dram」の検索結果

Expert guidance for FedRAMP certification and compliance under CR26 (FedRAMP Consolidated Rules for 2026). Use this skill whenever a user asks about FedRAMP authorization, ATO (Authority to Operate), cloud security for federal government, NIST SP 800-53 controls, CSP compliance, or any of the core FedRAMP document types: SSP, SAP, SAR, POA&M, CIS/CRM workbooks. Also trigger for questions about FedRAMP Certification Classes (A, B, C, D — new baseline labels: A = pilot/transitional, B = LI-SaaS/Low, C = Moderate, D = High, per NTC-0004), FedRAMP 20x (now the primary authorization pathway), OSCAL mandate (September 2026), 3PAO assessments, continuous monitoring (ConMon), gap assessments, system boundary definition, or architecture reviews for federal cloud. FedRAMP Ready retired July 28, 2026 (Legacy FedRAMP Ready). When in doubt, use this skill — it covers the full FedRAMP lifecycle from readiness through continuous monitoring.

日本語の概要は準備中です。原文の説明を表示しています。

Expert guidance for FedRAMP certification and compliance under CR26 (FedRAMP Consolidated Rules for 2026). Use this skill whenever a user asks about FedRAMP authorization, ATO (Authority to Operate), cloud security for federal government, NIST SP 800-53 controls, CSP compliance, or any of the core FedRAMP document types: SSP, SAP, SAR, POA&M, CIS/CRM workbooks. Also trigger for questions about FedRAMP Certification Classes (A, B, C, D — new baseline labels: A = pilot/transitional, B = LI-SaaS/Low, C = Moderate, D = High, per NTC-0004), FedRAMP 20x (now the primary authorization pathway), OSCAL mandate (September 2026), 3PAO assessments, continuous monitoring (ConMon), gap assessments, system boundary definition, or architecture reviews for federal cloud. FedRAMP Ready retires July 28, 2026. When in doubt, use this skill — it covers the full FedRAMP lifecycle from readiness through continuous monitoring.

日本語の概要は準備中です。原文の説明を表示しています。

阿拉丁·AI短剧数字人肖像权合规工坊把「AI 演员/数字人/换脸/声音克隆做完却因肖像权没授权被投诉下架、数字人授权到期还在用、授权只买了一个平台却全网发、AI 形象神似明星惹官司、被举报时拿不出授权链举证」升级成一条纯本地零依赖的上架前置授权链自查工具链：多源导入(drama-cast 角色卡 _cast.json 双契约兼容/人物资产类型声明 assets.json/授权凭证登记 CSV 或 JSON/drama-publish 发行计划 _publish_plan.json 抽平台)→人物资产五分类(AI原创 ai_original/真人出演 real_actor/第三方数字人 digital_human/换脸 face_swap/声音克隆 voice_clone)逐类判定所需授权→10 条确定性授权链规则(A1缺授权凭证 A2要素缺失 A3已过期 A4即将到期 A5平台越界 A6用途越界 A7撞脸公众人物 A8声音克隆缺授权 A9转授瑕疵 A10平台报备缺失)→门禁评分(P0=25/P1=8/P2=3 扣分，100分制 A-D 档，READY可提审/REVIEW建议整改/BLOCK禁止上架)→自包含 HTML 授权链看板(门禁灯+逐条命中+整改建议)+Markdown 整改清单(可直接交制片执行)+feedback 回灌契约(缺证角色回灌 drama-cast 补授权、越界平台回灌 drama-publish 调发行、续签观察名单、报备提醒)。与 aladin-drama 系列闭环衔接(cast/publish 进，整改反馈回灌 cast 补授权、publish 调发行矩阵)。区别于内容合规工具只扫违禁词与画面红线：本款专管「人」的授权链(肖像权/声音权/数字人许可/换脸源授权)，确定性规则可复算、命中带人物名与整改方向、纯本地零依赖零API、授权信息不出本机(法务资产敏感)。触发词：短剧肖像权、数字人授权、换脸授权、声音克隆授权、AI演员合规、肖像授权到期、授权链自查、撞脸明星、数字人合规、AI形象报备、肖像权侵权、portrait rights、digital human license、face swap consent、voice clone authorization、AI短剧、阿拉丁短剧、短剧创作闭环。

日本語の概要は準備中です。原文の説明を表示しています。

影视编剧 (Scriptwriting / Screenwriting) — 为电影 / 电视 / 流媒体剧集写戏剧蓝本的从业者认知操作系统: 决定「讲什么故事、人物是谁为何转变、场景如何被戏剧化、主题为何重要」的学科 —— 区别于导演 (调度 / 视觉实现)、制片 (融资 / 排期)、小说 (无格式 / 场景 / 视觉动作约束)。覆盖 (a) 故事与结构理论 (亚里士多德《诗学》情节 / 人物 / 思想 + 突转 peripeteia / 发现 anagnorisis + 净化 catharsis; Syd Field 范式 / 三幕 / 情节点; Freytag 金字塔; Egri 前提; McKee《故事》掌控性理念 / 鸿沟 / 价值正负转变 / 激励事件 / 渐进式复杂化; Truby《故事剖析》22 步 + 道德论证; Vogler/Campbell 英雄之旅; Blake Snyder《救猫咪》15 拍节拍表; Dan Harmon 故事环; John Yorke 五幕《进入森林》; Frank Daniel 八序列法; 起承转合东亚戏剧结构), (b) 人物 (想要 vs 需要 / 外在目标 vs 内在缺失, 人物弧光 正 / 负 / 平, flaw-wound-ghost 创伤背景, 主动 vs 被动主角的能动性, Egri 三维人物 生理 / 社会 / 心理, 反派是主角的镜子, 群像与关系网, 人物在压力下的选择中显形), (c) 对白 (潜台词 subtext, 对白即动作与冲突而非信息, 避免太直白 on the nose, 人物独特声口, 信息植入 exposition, Mamet/Sorkin 意图-阻碍式对白, 展示而非告知, 中文剧台词工艺), (d) 场景与序列工艺 (场景是有目标 / 冲突 / 转折的微型故事, 场景价值充能与转折点, 晚进早出, 八序列法, set piece, 转场, 场景头 / 动作行 / 括号提示 格式工艺), (e) 主题与前提 (掌控性理念 / 前提, 主题是被戏剧化的论证而非说教, 道德论证 Truby, 主题统一性, 这到底在讲什么), (f) 类型 (类型惯例是对观众的承诺, Snyder 10 类故事, 颠覆 vs 尊重套路, 类型片 vs 文艺片, 中国类型 主旋律 / 古装 / 年代 / 悬疑 / 甜宠 / 都市 / 军旅 / 历史正剧), (g) 格式与工业流程 (好莱坞剧本格式与 Final Draft, logline 一句话故事, treatment 故事大纲, 节拍表, 分场 / 分集大纲, spec 原创剧本 vs 委托, pitch, coverage, 美剧编剧室与 showrunner 制; 中国 大纲→人物小传→分集大纲→剧本, 长剧集 40 集结构, 网络电影 / 网大, 分账剧, 平台定制剧, 微短剧竖屏短剧), (h) 改稿与开发 (写作就是改写, 改稿 / 润色 / 推倒重写, 处理意见 / 改稿意见, 片方与平台 notes, 杀死你的宝贝, 围读, 开发地狱), (i) 改编 (IP改编 小说 / 漫画 / 游戏改编, 忠于精神而非字句, 压缩, 中国网文 IP 热), (j) 中国影视编剧产业现实 (审查 / 广电总局约束, 备案 / 立项, 平台定制剧 爱优腾芒, 分账, 编剧维权 署名权 / 欠薪 / 枪手, 注水剧, 流量 + 大IP 资本逻辑 vs 原创工艺, 导演中心制 vs 编剧话语权), (k) 编剧职业与工艺生涯 (spec vs 委托, 编剧 vs 编审 / 策划, 单兵 vs 编剧室, 在开发链条中的位置, WGA 与署名仲裁规范, 入行, 中国编剧地位与权益)。跨 电影 / 美剧流媒体 / 中国电影与长剧集。不含 导演 / 摄影 / 制片 / 融资 / 表演 / 电影理论批评为终点 / 泛小说写作 / 纪录片 / 新闻 —— 本 skill 是「戏剧化编剧」工艺: 故事 / 人物 / 场景 / 对白 / 主题 / 结构 / 格式 与围绕它们的产业流程。 (Scriptwriting / Screenwriting for film & TV (影视编剧) — the cognitive operating system of practitioners who write the dramatic blueprint of films, television, and streaming series: the discipline of deciding WHAT story is told, WHO the characters are and why they change, HOW the scenes are dramatized, and WHY it matters thematically — distinct from directing (staging/visual realization), producing (financing/scheduling), and prose fiction (which has no format/scene/visual-action constraints). Covers (a) story & structure theory (Aristotle's Poetics — plot/character/thought + reversal peripeteia/recognition anagnorisis + catharsis; Syd Field's paradigm/three-act/plot points; Freytag's pyramid; Lajos Egri's premise; Robert McKee's Story — controlling idea/the gap/value charge/inciting incident/progressive complications; John Truby's 22 steps & moral argument; Christopher Vogler/Joseph Campbell hero's journey; Blake Snyder's Save the Cat 15-beat sheet; Dan Harmon's story circle; John Yorke's 5-act Into the Woods; Frank Daniel's 8-sequence method; 起承转合 East-Asian dramatic structure), (b) character (want vs need/external goal vs internal lack, character arc positive/negative/flat, 人物弧光, flaw-wound-ghost backstory, agency active vs passive protagonist, Egri's 3-dimensional character physiology/sociology/psychology, antagonist as the protagonist's mirror, ensemble & relationship webs, character revealed through choice under pressure), (c) dialogue (subtext 潜台词, dialogue as action & conflict not information, 'on the nose' avoidance, distinct character voice, exposition handling, Mamet/Sorkin intention-obstacle dialogue, show-don't-tell, 台词 craft in Chinese drama), (d) scene & sequence craft (scene as a mini-story with goal/conflict/turn, scene value charge & turning point, enter-late-leave-early, the 8-sequence method, set pieces, transitions, slug line/action line/parenthetical format craft), (e) theme & premise (controlling idea/premise/前提, theme as dramatized argument not message, moral argument Truby, thematic unity, 'what is this really about'), (f) genre (genre conventions as audience promise, Snyder's 10 story types, subverting vs honoring tropes, 类型片 vs 文艺片, Chinese genres 主旋律/古装/年代/悬疑/甜宠/都市/军旅/历史正剧), (g) format & industry process (Holly

日本語の概要は準備中です。原文の説明を表示しています。

AI 短剧 (AI 微短剧) (AI 短剧 (AI 微短剧) (从业者视角) — 用 AIGC 工具（AI 视频生成 / AI 脚本 / AI 生图 / AI 配音 / 对口型 / 角色一致性）制作竖屏微短剧并变现的新兴行业。覆盖: (a) 创作工作流 — 选题→剧本/分镜→AI 生图→图生视频(首尾帧/运镜/参考)→配音/对口型→剪辑/调色→成片，其中角色/场景一致性是第一性难题; (b) 工具栈 — 视频生成(可灵 Kling / 即梦 Seedance / 海螺 Hailuo / Vidu / Runway Gen / OpenAI Sora / Pika / Luma / Pixverse)、脚本(LLM)、生图(Midjourney/SD/即梦)、配音(TTS)、对口型、剪辑(剪映/CapCut); (c) 商业/变现 — 国内付费投流(IAP + ROI + 平台分账, 抖音/快手/红果/微信小程序短剧)与海外订阅(ReelShort/DramaBox/ShortMax/GoodShort)两套打法、品牌定制、成本结构; (d) 合规 — 中国《人工智能生成合成内容标识办法》(2025-09 强制 AI 标识)、广电微短剧备案与分类分层审核、版权与肖像权。主战场 = 抖音/快手/视频号/B站 + 海外短剧 App。学派分歧: 纯 AI vs AI+实拍混合、国内投流 vs 海外订阅、视频工具派之争、「AI 短剧是真需求还是伪风口」。不含: 传统实拍短剧制作、通用影视编剧(已有 scriptwriting skill)、短视频信息流投放(已有 short-video-ads skill)、纯 AI 视频底层技术研发。) Master OS — automated mastery of AI 短剧 (AI 微短剧) (从业者视角) — 用 AIGC 工具（AI 视频生成 / AI 脚本 / AI 生图 / AI 配音 / 对口型 / 角色一致性）制作竖屏微短剧并变现的新兴行业。覆盖: (a) 创作工作流 — 选题→剧本/分镜→AI 生图→图生视频(首尾帧/运镜/参考)→配音/对口型→剪辑/调色→成片，其中角色/场景一致性是第一性难题; (b) 工具栈 — 视频生成(可灵 Kling / 即梦 Seedance / 海螺 Hailuo / Vidu / Runway Gen / OpenAI Sora / Pika / Luma / Pixverse)、脚本(LLM)、生图(Midjourney/SD/即梦)、配音(TTS)、对口型、剪辑(剪映/CapCut); (c) 商业/变现 — 国内付费投流(IAP + ROI + 平台分账, 抖音/快手/红果/微信小程序短剧)与海外订阅(ReelShort/DramaBox/ShortMax/GoodShort)两套打法、品牌定制、成本结构; (d) 合规 — 中国《人工智能生成合成内容标识办法》(2025-09 强制 AI 标识)、广电微短剧备案与分类分层审核、版权与肖像权。主战场 = 抖音/快手/视频号/B站 + 海外短剧 App。学派分歧: 纯 AI vs AI+实拍混合、国内投流 vs 海外订阅、视频工具派之争、「AI 短剧是真需求还是伪风口」。不含: 传统实拍短剧制作、通用影视编剧(已有 scriptwriting skill)、短视频信息流投放(已有 short-video-ads skill)、纯 AI 视频底层技术研发。: top builders' mental models, tool stack, current workflows, jargon, and where to keep up. Trigger this skill when the user works on AI 短剧 (AI 微短剧) (从业者视角) — 用 AIGC 工具（AI 视频生成 / AI 脚本 / AI 生图 / AI 配音 / 对口型 / 角色一致性）制作竖屏微短剧并变现的新兴行业。覆盖: (a) 创作工作流 — 选题→剧本/分镜→AI 生图→图生视频(首尾帧/运镜/参考)→配音/对口型→剪辑/调色→成片，其中角色/场景一致性是第一性难题; (b) 工具栈 — 视频生成(可灵 Kling / 即梦 Seedance / 海螺 Hailuo / Vidu / Runway Gen / OpenAI Sora / Pika / Luma / Pixverse)、脚本(LLM)、生图(Midjourney/SD/即梦)、配音(TTS)、对口型、剪辑(剪映/CapCut); (c) 商业/变现 — 国内付费投流(IAP + ROI + 平台分账, 抖音/快手/红果/微信小程序短剧)与海外订阅(ReelShort/DramaBox/ShortMax/GoodShort)两套打法、品牌定制、成本结构; (d) 合规 — 中国《人工智能生成合成内容标识办法》(2025-09 强制 AI 标识)、广电微短剧备案与分类分层审核、版权与肖像权。主战场 = 抖音/快手/视频号/B站 + 海外短剧 App。学派分歧: 纯 AI vs AI+实拍混合、国内投流 vs 海外订阅、视频工具派之争、「AI 短剧是真需求还是伪风口」。不含: 传统实拍短剧制作、通用影视编剧(已有 scriptwriting skill)、短视频信息流投放(已有 short-video-ads skill)、纯 AI 视频底层技术研发。 problems and wants industry-grade thinking, tool selection, or workflow guidance. 触发词：「ai 短剧」「ai 微短剧」「ai short drama」「ai 短剧制作」「ai 短剧工作流」

日本語の概要は準備中です。原文の説明を表示しています。

Short-drama and product-video development skill for planning drama projects through a bundled Busabase App-in-Skill UI, with each project linked to a specified HyperFrame project and each episode linked to a HyperFrame composition for final motion/video tuning. Use when the user asks to create, edit, organize, or review short-drama scripts, product explainer episodes, character consistency cards, series bibles, episode beat sheets, storyboard shots, HyperFrame project/composition links, production checklists, or a drama planning workbench.

日本語の概要は準備中です。原文の説明を表示しています。

Requires OFOX_API_KEY — create one at https://app.ofox.ai. Generate a realistic-human, dialogue-driven short-drama clip — one shot, or a few hard-cut shots inside one job — from a script or scene description using the Ofox video API (Seedance 2.5). Runs a short creative brief when the input leaves beat, aspect ratio, emotional arc or camera register open (one held take, a travelling take, or a multi-shot cut list) ("Let the AI decide" is offered on the taste questions, never on a must-ask one, and never as the default), writes a structured prompt (header manifest, timestamped shots, quoted dialogue with delivery notes, consistency lock), shows a cost estimate, then calls ofox-video-core to submit, poll, download, and report the real cost. Use when a user asks to turn a script beat into video, e.g. "generate scene 3 of this script, two characters talking, 15 seconds", "make a vertical short-drama clip of these two arguing in a kitchen", "turn this dialogue into a 12-second video", or "give me a realistic short-drama shot of a couple breaking up at a train station". Do not use for silent product/brand shots (see seedance-ad-creative), for anime- or manga-styled scenes (see seedance-anime-drama), for one person addressing the viewer rather than another character — a script read from a supplied portrait is talking-head, an idea pulled out of an article is explainer — or for anything not involving people/dialogue.

日本語の概要は準備中です。原文の説明を表示しています。

把长篇小说、连载网文或多集散稿拆成可追溯的原著分析：章节索引、改编价值快评、逐章功能提取、剧情单元与节奏聚合、人物与设定归并，最后给出改编价值判定与分集候选，交给 $short-drama-develop 立契约。用户说“导入这本小说”“拆这本书”“分析原著”“这本书能不能改短剧”“先看看值不值得拆”“把长篇拆成分集候选”，或直接给出小说文件路径时使用。只做只读的结构化分析，不写剧本、不建资产、不生成媒体，也不替创作者决定改编方案。

日本語の概要は準備中です。原文の説明を表示しています。

Create AI-narrated film/drama commentary videos via CLI. Two workflow paths (Original & Adapted narration), 93 movies, 146 BGM tracks, 63 dubbing voices in 11 languages, 90+ narration templates. Use when creating narration videos, film commentary, short drama dubbing, or video production.

日本語の概要は準備中です。原文の説明を表示しています。

設計、編劇、製作與迭代爆款 AI 短劇／漫劇／仿真人直式連載。用於「AI短劇」「AI漫劇」「爽劇」「微短劇」「爆款情景」「一鏡到底」「宮格成片」「故事連鏡」「角色三視圖」「假廢物真強者」「扮豬吃虎」「重生」「轉生／穿越」「系統流」「隱藏大佬／隱藏身份」「逆襲／打臉／復仇」「真假千金」「末世」「修仙」「規則怪談」「ReelShort／DramaBox 風」「分集大綱」「每集鉤子」「季節拍」「短劇角色一致性」「把小說改短劇」「短劇為什麼不爆」「規劃一季／寫下一集」「從故事到AI成片」「一鍵做短劇」「100%自動化」「全部你來」等任務。負責題材雷達、片型路由、概念綠燈、系列 Bible、資產註冊、逐鏡時間線、爽點與揭露階梯、分集編劇、連載狀態、production pack、可續跑生成、成片 QA 與成效回填；實際媒體提示詞交給 ai-media-generator，完整剪輯交付可串接 video-autopilot 或相容執行器。

日本語の概要は準備中です。原文の説明を表示しています。

Develop and direct male-audience AI short dramas through role-specific workflows for showrunning, screenwriting, casting and original character design, art, performance, cinematography, storyboarding, sound, post, continuity, and asset handoff. Use when the user asks for 男频短剧、微短剧、玄幻修仙、都市逆袭、职业创业、历史权谋、末世科幻、悬疑规则、竞技成长、选题、剧本、改稿、选角定妆、分镜运镜、生图/生视频制作说明、项目圣经或跨工种协作。

日本語の概要は準備中です。原文の説明を表示しています。

Develop and direct female-audience AI short dramas through role-specific workflows for showrunning, screenwriting, casting and original character design, art, performance, cinematography, storyboarding, sound, post, continuity, and asset handoff. Use when the user asks for 女频短剧、微短剧、言情或非言情女性向故事、女主成长、关系戏、职业戏、女性群像、选题、剧本、改稿、选角定妆、分镜运镜、生图/生视频制作说明、项目圣经或跨工种协作。

日本語の概要は準備中です。原文の説明を表示しています。

短剧漫剧导演 — 一键把剧本/小说段落转成九宫格分镜 + 15 秒漫剧视频。接入 Atlas Cloud 的 GPT Image 2（九宫格漫剧页）和 Seedance 2.0 I2V（15s 动画），一个 API key 打通全流程。触发词：短剧、漫剧、剧本转视频、小说转视频、分镜生成、九宫格、storyboard、comic drama、漫画页、AI 短剧制作、GPT Image 2 + Seedance。

日本語の概要は準備中です。原文の説明を表示しています。

Product marketing and go-to-market strategy for B2B SaaS launches and positioning. Use this skill when planning a product launch, developing positioning and messaging, analyzing competitive landscape, building customer advocacy programs, designing a customer referral program (who may accept the reward, how the introduction is made), designing a win/loss interview program, working out why we lose deals, designing GTM strategy, creating category positioning, planning analyst briefings, or deciding which country to expand into and how far to localize. Also use it for an early-stage startup where the founder is still doing the selling — running founder-led sales, setting up a design-partner program, judging whether you have product-market fit, deciding what not to do yet, deciding when to hire the first AE or first marketer, and moving upmarket to larger buyers. Also use it when your company has just acquired another (or is about to), to plan the marketing integration: what you may and may not do between signing and close, the first letter to the acquired customers, whether to keep, endorse, fold in or retire the acquired brand, merging the two marketing databases without mailing people who opted out, when to start cross-selling, and announcing a product sunset. Also use it to design a demand-generation campaign and the channel plan it runs on: one campaign with one job, the offer for buyers who are and are not in market, what each channel is for, the kill and scale rules set before launch, the follow-up sales agrees to, the yearly calendar of always-on programs and tentpole campaigns, and which channels to keep, test or stop. Also use it for brand marketing and demand creation — how much to spend on brand versus performance, what to measure when a brand campaign produces no conversion event, and how to answer "we cannot attribute it". Also triggers on: founder-led sales, founder-led GTM, design partners, design partner agreement, first customers, first 10 customers, do we have product-market fit, PMF, Sean Ellis test, very disappointed survey, pre-seed, seed stage, when to hire our first AE, first sales hire, first marketing hire, moving upmarket, going upmarket, enterprise readiness, first enterprise deal, what do enterprise buyers need before they sign, positioning, product launch, beta program, early access program, design partners, private preview, public preview, general availability, GA launch, when can we call it GA, can sales sell a beta feature, selling the roadmap, launch tier, competitive intelligence, messaging, customer advocacy, win/loss analysis, win/loss interviews, why we lose deals, closed-lost analysis, loss reason, close-reason field, competitive displacement, displace an incumbent, rip and replace, competitive takeout, switch from a competitor, win deals from a competitor, incumbent contract, renewal window, auto-renewal notice period, switching costs, EU Data Act, cloud switching rights, why do we lose to no decision, GTM, category design, ideal customer profile, ICP, what is our real ICP, who actually buys from us, refresh our ICP from closed-won deals, ICP refresh before planning, analyst briefing, G2 review, international expansion, market entry, expand into Europe, which country should we launch in next, localization, translate our site, in-country go-to-market, regional GTM, is cold email legal in Germany, brand marketing, brand awareness, brand vs performance, brand versus demand gen, demand creation, demand capture, 95-5 rule, out of market buyers, category entry points, distinctive brand assets, mental availability, brand tracking, brand health, brand lift, share of search, how do we measure brand, justify brand spend, brand budget. Also triggers on public-sector marketing: sell to government, government marketing, public sector go-to-market, federal marketing, state and local government, SLED, FedRAMP, FedRAMP marketing claims, can we say FedRAMP ready, GovRAMP, StateRAMP, VPAT, accessibility confor

日本語の概要は準備中です。原文の説明を表示しています。

Requires OFOX_API_KEY — create one at https://app.ofox.ai. Turn a novel/script excerpt into an anime-style storyboard shot using the Ofox image and video APIs. Runs a short creative brief first (how many shots, the aspect ratio before any image exists, which animation look; "Let the AI decide" is offered on the taste questions, never on a must-ask one, and never as the default), generates the character with ofox-image-core — one opening frame for a single shot, a design sheet to confirm plus one opening frame per shot for a sequence — then feeds each frame to ofox-video-core as `--frame-first-image`, so every shot starts on an image of that character rather than on a text description alone. Use when a user asks to turn a story excerpt into an anime video, e.g. "turn this novel excerpt into an anime video", "make an anime-style storyboard clip of this scene", "generate a manga-drama shot with this character", or "turn this chapter into an anime short with the same character in every shot". Do not use for realistic-human dialogue scenes with no anime styling (see seedance-short-drama), silent product/brand shots (see seedance-ad-creative), or plain catalog footage (see seedance-product-video).

日本語の概要は準備中です。原文の説明を表示しています。

Reclaim DRAM by disabling unused subsystems across MB1 BCT, MB2 BCT, kernel reserved-memory, and SWIOTLB. Use for headless or no-camera Jetson deployments; not for CPU/GPU frequency tuning.

日本語の概要は準備中です。原文の説明を表示しています。

AI 电影/短剧解说视频自动生成（AI 解说大师 CLI Skill）。当用户需要创建电影解说视频、短剧解说、影视二创、AI 配音旁白视频、film commentary、video narration、drama dubbing、movie narration 时触发。内置电影素材库、BGM、多语种配音、解说模板。通过 narrator-ai-cli 命令行实现：搜片→选模板→选 BGM→选配音→生成文案→合成视频的全流程自动化。CLI client for Narrator AI video narration API.

日本語の概要は準備中です。原文の説明を表示しています。

审查短剧项目中的原著分析、故事、剧本、视觉设定、图片提示词、分镜、冻结关键帧、视频提示词和已有媒体。用户提出“审稿/检查剧本”“检查资产或连续性”“检查图片/视频提示词”“检查原著分析”“审查模板感”“根据生产观察做项目校准”时使用；只写审查问题、结论和修订要求，不代替 owner 修改来源文件。

日本語の概要は準備中です。原文の説明を表示しています。

将已生成的短剧镜头剪成成片，记录入出点、镜序、声音、字幕与交付规格。用于套剪、加字幕、统一响度、调整节奏或导出精修素材；需要补素材或修改故事时转回对应创作阶段。

日本語の概要は準備中です。原文の説明を表示しています。

编写或修订可拍摄的中文短剧、漫剧单集 Markdown 剧本，也负责保留作者原文地规范化现成剧本。用户提出“写/改一集短剧”“把大纲写成剧本”“优化场景/对白”“去模板感”“去 AI 味润色”“续写下一集”或提供剧本要求进入后续制作时使用；不负责资产、分镜、媒体提示词或终审。

日本語の概要は準備中です。原文の説明を表示しています。

把中文短剧剧本和视觉设定写成有戏剧职责、连续性边界与冻结关键帧提示词的分镜 Markdown。用户提出“拆分镜/设计镜头/做镜头表”“场次视觉计划/调度故事板”“比较导演方案”“写首帧/关键帧提示词”或检查轴线、站位、视线、持物连续性时使用；不生成媒体。

日本語の概要は準備中です。原文の説明を表示しています。

在创作者明确确认后，执行短剧项目的图片、视频、TTS/配音或时间线音乐生产任务，并把结果与精简运行记录落回项目。用户说“生成这张图/这段视频/这句配音/这段配乐”“开始跑图/跑视频/合成语音/生成音乐”“把已确认提示词送去生产”，或要求批量执行已确认媒体任务时使用；不负责创作提示词、镜头、台词、歌词或声音身份，也绝不把预览、继续、预算说明或既有接受状态当作本次付费生产确认。

日本語の概要は準備中です。原文の説明を表示しています。

维护者专用的短剧 know-how 学习、验证与生命周期治理。仅在维护者明确要求从其当前会话提供的授权只读文本源学习完整短剧项目链，并把私有观察逐步转成去标识、去复刻、经盲测与独立审查的公共 reference、rubric 或 synthetic fixture 候选时使用；不用于普通创作、公开运行时取数、媒体生成或粗略数据分析。

日本語の概要は準備中です。原文の説明を表示しています。

将中文小说、短剧或漫剧想法、梗概、改编材料、已有系列笔记或多集完整剧本发展成可追溯的改编方案、戏剧方向、创作简报、导演阐述、故事引擎与分集地图，并按题材与制作形态（画风）选择写法。用户提出“导入小说做短剧”“从多集整稿生成/补分集地图”“开发短剧/漫剧”“做故事设定/系列大纲/分集规划”“写导演阐述”“这个题材怎么写”“定画风/制作形态”“把这个点子变成短剧”或需要梳理人物冲突与集间交接时使用；已有单集剧本可直接进入写作、资产或审查流程，不强制补开发文件。

日本語の概要は準備中です。原文の説明を表示しています。