Leaves sweep through the frame and part to reveal the headline. HyperFrames block, 1920×1080, 12s, 11 variables.
日本語の概要は準備中です。原文の説明を表示しています。
Render-correctness doctrine for scene-to-scene seams in HyperFrames launch videos — the prerequisites that make transitions composite correctly on the master timeline. Load when assembling the master timeline / index.html, when a white flash appears at a cut or crossfade seam (especially on dark films), when reasoning about why a transition opacity dip shows through, or when verifying the render-side mechanics of how overlapping scene wrappers blend. Covers the opaque stage-ground (#root background) white-flash guard and how the injector overlaps wrappers, holds final frames, ping-pongs tracks, and stamps lint-clean template code onto the master timeline. Does NOT contain the per-transition catalog — see the transition registry for individual transition entries.
インストール方法を見るインストールする前に、エージェントに与えられる指示の中身を確認できます。
This is the render-correctness doctrine for PLV scene-to-scene seams: the prerequisites and master-timeline mechanics that make any transition composite correctly, independent of which specific transition is chosen. The per-transition catalog (crossfade, push-slide, zoom-through, cut-the-curve, …) lives in the transition registry — this page is the doctrine that sits underneath all of them.
The transitions this doctrine governs are Tier-B-ready: pure transform / opacity /
filter on the two scene clip wrappers (#el-<sid>), no injected overlay DOM, no
per-scene cooperation. Overlay families (staggered blocks, blinds, light leak, grid
dissolve, page burn) and shader transitions are deferred to later phases.
Several templates open a window where the two wrappers' summed opacity < 1 (the
cut-the-curve mid-window cut, zoom-through's 0.15 floor, plain crossfade's
power-curve dip). Whatever is BEHIND the wrappers shows through during that
window. If the assembled index.html #root has no opaque background, the
renderer composites the dip over its default white page → a white flash at
every seam, glaring on dark films (observed on two Spotify runs before the fix).
The assembler must paint the stage: #root { background: var(--canvas-deep, var(--canvas, #000)) } — assemble-index.mjs now emits this;
any other consumer of these templates owns the same guarantee.
At a break boundary between scene i (from) and scene i+1 (to), the
injector:
#el-<from> wrapper data-duration by duration_s (holds its final
frame — verified: core/src/runtime/init.ts:1393-1410 external-slot branch).#el-<to> wrapper data-start earlier by duration_s (creates the
overlap window).data-track-index as a 0/1 ping-pong so the two
overlapping wrappers never share a track (same-track overlap is illegal —
core/src/lint/rules/composition.ts). Higher track composites on top.gsap_template into window.__timelines["main"] at T = overlap-start.Verified by prototype render (2026-05-31): the master-timeline wrapper tween is seeked and rendered (no double-seek with the sub-comp's own paused timeline — the runtime drives them independently), the extended wrapper holds scene i's final frame, and the higher-track incoming wrapper composites over + blends with the outgoing one.
The injector substitutes these tokens in each gsap_template line:
| Token | Meaning |
|---|---|
__OLD__ | "#el-<from>" — outgoing clip wrapper selector (quoted) |
__NEW__ | "#el-<to>" — incoming clip wrapper selector (quoted) |
__T__ | overlap-start time in seconds (master clock) |
__DUR__ | duration_s for this boundary |
__DX__ | horizontal travel for directional types: -1920 (LEFT) / 1920 (RIGHT) |
__DY__ | vertical travel: -1080 (UP) / 1080 (DOWN) |
__ORIGIN_OUT__ / __ORIGIN_IN__ | transformOrigin pair for squeeze |
filter / scaleX / transformOrigin are lint-clean on the master timeline
(verified: core/src/lint/rules/gsap.ts has no per-property whitelist and scopes
its checks to data-composition-id ranges; the x/y/scale/rotation/opacity
whitelist is a scene-worker prompt rule only — it does not bind index.html).
まだレビューはありません。使ってみた感想をお寄せください。
概要と使いどころ
Leaves sweep through the frame and part to reveal the headline. HyperFrames block, 1920×1080, 12s, 11 variables.
日本語の概要は準備中です。原文の説明を表示しています。
Overlay doctrine for the embedded-captions workflow — the caption MODEL (drop / rail / embed) and the rule that captions are an OVERLAY composited on top of the film, never a reserved bottom band you shift content up to avoid. Load when adding captions/subtitles to a talking-head or launch video, when deciding whether a phrase should be dropped, ride the verbatim rail, or be promoted to a scarce embedded climax, when laying out a composition that will carry captions (do NOT reserve a keep-out band), or when centering a composition on the true frame center under captions. Quotes the rail+embed model from embedded-captions and constraint
日本語の概要は準備中です。原文の説明を表示しています。
Turn a weekly changelog .md into a finished branded changelog video (square 1080, ~45-60s, Annie VO, animated brand background, mock-UI visualizations, lowkey captions). Use when the user provides a changelog/digest markdown and wants the weekly video, or says "changelog video". Self-contained — fonts, background, lexicon, and scripts ship in this skill.
日本語の概要は準備中です。原文の説明を表示しています。
A tiled headline surface flips cell by cell under a sweeping depth field to reveal the rear headline. HyperFrames block, 1920×1080, 8s, 18 variables.
日本語の概要は準備中です。原文の説明を表示しています。
A chain of bevelled cuboids rides a travelling wave as a content carousel. HyperFrames block, 1920×1080, 6.666666666666667s, 40 variables.
日本語の概要は準備中です。原文の説明を表示しています。
The technique catalog: five velocity-matched SEAMS (zoom-through, INVERSE zoom-through, cut-the-curve, waterfall cut, rack-focus blur-cut) plus the two in-scene techniques — waterfall ENTRY (staggered arrival cascades for title cards / segment openers) and the nudge curve (slow-fast-slow three-phase group slides). Covers partial-travel (~12% of frame) velocity matching via mirrored power4 eases, the Z scale-sign rule, size-scaled blur (10px text / 18-20px full-frame), word-by-word staggered cuts, cascade pacing by element weight, and the 10/65/25 slide ratio. Read before authoring any transition, text-beat handoff, kinetic text entry, or group reposition. [depth, zoom, inverse-zoom, scale-sign, mirrored-zoom, rack-focus, pacing, velocity, cut-the-curve, waterfall, stagger, cascade, kinetic-text, title-card, segment-opener, nudge, slide, easing, group-motion, z-depth, motion-graphics, cinematic, transition, blur, directional-continuity]
日本語の概要は準備中です。原文の説明を表示しています。