Motion Direction

Make the creative decisions for a motion piece before anyone animates a frame. Direction is the judgment layer: it turns a brief and a brand into a small, repeatable set of motion rules — one easing vocabulary, one timing scale, one transition family — so every shot feels like it came from the same hand. Good direction is mostly subtraction: deciding what NOT to move.

When to use

• Starting any piece — explainer, launch film, UI demo, data story, loop — and the look/feel isn't decided yet.
• Animation feels "busy", "cheap", or "inconsistent" and the cause is decisions, not craft.
• Orchestrating other skills (gsap/lottie/shader/three.js): direction sets the rules they execute.
• Translating a brand or brief into directable, written choices a team (or an agent) can follow.

The one rule

Define the motion language first, then animate to it. A motion language is a short spec — pick one of each: easing family, base timing unit, transition family, stagger rhythm, motion intensity. Everything in the piece obeys it. Consistency reads as confidence; variety reads as noise. When in doubt, reuse, don't invent.

Direction workflow

Step	Decision	Output
1. Brief	Audience, one message, platform, duration, mood (3 adjectives)	One-line creative intent
2. Tone & energy	Where it sits on calm↔kinetic and soft↔sharp	A point on the matrix below
3. Motion language	Lock the spec table	The motion-language spec (filled)
4. Hierarchy	Rank what moves: hero / support / texture	Motion hierarchy list
5. Restraint pass	Cut motion that doesn't carry meaning	List of what stays static
6. Shot direction	Note intent per shot, not keyframes	Direction notes (see template)
7. Consistency check	Audit against the spec	Pass/fail per shot

Tone & energy matrix

Place the piece on two axes; the cell dictates the motion language defaults.

	Soft (organic, eased)	Sharp (precise, snappy)
Calm	Luxury, wellness, editorial — slow, long eases, generous holds, minimal stagger	Premium tech, fintech — deliberate, clean linear-ish moves, tight but unhurried
Kinetic	Playful, lifestyle, kids — bouncy/overshoot, springy, loose timing	Sports, hype, gaming — fast cuts, hard snaps, aggressive overshoot on beats

Pick one cell and commit. Mixing cells within a piece is the most common cause of "inconsistent" motion.

Motion personality (named presets)

The tone matrix tells you where the piece sits; a motion personality is the named, numeric preset you hand to whoever animates. Pick ONE per project and apply it everywhere. This is shared vocabulary — other skills (e.g. gsap-web, micro-interaction, the video packs) can just say "use the Premium personality."

Personality	Duration	Signature easing	Overshoot	Reads as
Playful	150–300ms	ease-out-back / cubic-bezier(0.34,1.56,0.64,1)	10–20%	fun, bouncy, whimsical
Premium	350–600ms	cubic-bezier(0.4,0,0.2,1)	0%	elegant, minimal, luxury
Corporate	200–400ms	cubic-bezier(0.2,0,0,1)	0–3%	clean, professional, trustworthy
Energetic	100–250ms	ease-out-expo	15–30%	bold, dynamic, hype

Default: Corporate for UI/product, Playful for illustration/lifestyle. Maps onto the matrix — Premium≈calm-soft, Corporate≈calm-sharp, Playful≈kinetic-soft, Energetic≈kinetic-sharp. The personality fills the "easing family / base timing unit / motion intensity" rows of the spec below.

The motion-language spec

The core artifact. Fill every row with ONE choice and reuse it everywhere.

Property	Choose one	Example (calm-sharp / premium tech)
Easing family	The signature curve for ~90% of moves	cubic-bezier(0.22, 1, 0.36, 1) (decelerate, soft landing)
Base timing unit	The atomic duration; build others as multiples	0.4s (enters 0.4s, big moves 0.8s, micro 0.2s)
Transition family	How shots connect	Match-cut + crossfade only; no wipes/spins
Stagger rhythm	Delay between grouped elements	60ms cascade, top-to-bottom
Motion intensity	Distance/scale/overshoot budget	Travel ≤ 24px, scale 0.96→1.0, overshoot ≤ 2%
Hold discipline	Minimum rest between moves	≥ 0.3s of stillness after each beat

Two eases maximum: one "in" (exits) and one "out" (entrances/landings). A third curve must justify its existence.

Motion hierarchy

Not everything earns motion. Rank every element, then animate down the list — and stop early. These three tiers are the universal three motion layers (see animation-principles): Hero = Primary, Support = Secondary, Texture = Ambient.

Tier	What it is	How it moves
Hero	The one thing the shot is about	Gets the boldest, slowest, most-eased move; lands on the beat
Support	Context that helps the hero land	Smaller, faster, eased out of the way; never competes
Texture	Background, grain, ambient drift	Subliminal only — slow loops, low contrast, no hard cuts

If two elements compete for the eye in one frame, the direction has failed. Demote one to support.

Restraint — what NOT to animate

The senior move. For each element ask: does the motion carry meaning? If not, hold it still.

• Don't animate the entire frame at once — stagger or hold a anchor so the eye has a home.
• Don't transition the transition (no animated wipe and a spin and a fade).
• Don't loop-animate text the viewer is still reading.
• Don't add overshoot to serious/financial content — it reads as toy-like.
• One "wow" moment per piece. A second one cancels the first.

Pacing & rhythm

Pacing is the edit's heartbeat. Vary it on purpose: tension (faster, tighter) → release (a hold). Map energy across the timeline before timing individual moves — most pieces want a low-energy open, a build, a peak, and a settled end card. Cut and land key moments on the audio (see launch-video for beat-syncing); silence and stillness are pacing tools, not gaps to fill.

Consistency check

Before sign-off, audit every shot against the spec table:

• Same easing family on comparable moves? (No stray linear or ease.)
• All durations are multiples of the base unit?
• Only the chosen transition family between shots?
• Stagger rhythm identical across grouped reveals?
• Hold discipline respected — no two moves stacked without rest?
• Exactly one hero per frame?

Any "no" is a direction defect, not a craft preference — fix it before polishing.

Reference files

• references/direction-playbook.md — worked examples of the motion-language spec for five tone cells, a full brief template, a shot-by-shot direction-notes template with example entries, brand→motion translation tables, an easing-vocabulary cheat sheet, and a complete pre-render direction checklist.