「dram」の検索結果

从短剧剧本拆出人物/造型、地点/视图、道具/状态和跨场连续性，写成创作者可读的视觉设定。用户说“拆角色/场景/道具”“做资产设定”“判断复用还是新变体”“更新造型/道具状态”，或拿现成剧本直接做视觉资产准备时使用；不写图片提示词，不生成媒体。

日本語の概要は準備中です。原文の説明を表示しています。

把短剧分镜和冻结关键帧写成可直接复制的视频提示词 Markdown，也可按用户要求写时间线配乐/主题曲意图。用户提到文生/图生视频动作、人物表演、运镜、口型、环境运动、镜头时长、起止状态、把分镜转成视频提示词或写配乐提示词时使用；不生成媒体、不创作歌词、不改分镜边界。

日本語の概要は準備中です。原文の説明を表示しています。

维护者专用的短剧 know-how 学习、验证与生命周期治理。仅在维护者明确要求从其当前会话提供的授权只读文本源学习完整短剧项目链，并把私有观察逐步转成去标识、去复刻、经盲测与独立审查的公共 reference、rubric 或 synthetic fixture 候选时使用；不用于普通创作、公开运行时取数、媒体生成或粗略数据分析。

日本語の概要は準備中です。原文の説明を表示しています。

将已生成的短剧镜头剪成成片，记录入出点、镜序、声音、字幕与交付规格。用于套剪、加字幕、统一响度、调整节奏或导出精修素材；需要补素材或修改故事时转回对应创作阶段。

日本語の概要は準備中です。原文の説明を表示しています。

Half-hour television comedy craft (半小时情景喜剧/笑点力学/困境机器/多机位单机位格式) — merged from Evan S. Smith's Writing Television Sitcoms (premise-driven comedy in three levels, nine predicaments, six character mixes, setup/punchline mechanics, toppers, running gags, ten comedic nuances, format rules), Neil Landau's sitcom seven-step formula and comedy-room models, Richard Blum's act-length and set-count parameters, Phoebe Waller-Bridge's Fleabag scripts (direct address as a season-long device, six-episode skeleton), Pamela Douglas on dramedy, Kam Miller on complementary comic traits, and Jesse Armstrong on jokes carrying tragedy. Use when writing or fixing a sitcom episode or spec, raising joke density per page, designing a comic predicament that generates stories, choosing between multi-camera and single-camera format and page counts, structuring cold open/acts/tag, writing a half-hour pilot, running a comedy punch-up, or making a drama funny without shifting genre.

日本語の概要は準備中です。原文の説明を表示しています。

Character creation, protagonist/antagonist design and dramatic conflict for scripts (人物/对手/冲突) — merged from Lajos Egri (three-dimensional character, orchestration, unity of opposites, pivotal character, rising vs static vs jumping conflict, transition), William Indick's Psychology for Screenwriters (Freud, Erikson, Jung archetypes, Campbell/Murdock hero journeys, Adler, Rollo May), Robert McKee (characterization vs true character, dimensions, gap, antagonism principle), Neill Hicks (character invocation, self-concept, cognitive dissonance, five conflict focuses, Maslow), Lisa Cron (desire vs misbelief), and Lu Jun (人物要活八要, 对手要强, 给对手一把刀, 最强的对手是自己, 不许请祥云). Use when building a protagonist, an antagonist or a cast, when a character feels flat or acts out of character, when conflict stalls or jumps, when a villain is too weak, when designing an arc or motive, or when diagnosing melodrama.

日本語の概要は準備中です。原文の説明を表示しています。

Japanese (and other non-Hollywood) screenwriting methods (日本编剧方法/原创剧本实战) — distilled from ten Japanese directors and writers in ゼロからの脚本術; Kosawa Ryota (three acts as 起承转合, speed by jumping), Uchida Kenji (beautiful structure, time-axis tricks), Miki Satoshi (small-material notebook, theme emerges later), Sono Sion, Omiya Ellie (dialogue from inner monologue), Kakei Masaya ("if + moreover"), Fukuda Yuichi (character = actor + flaw, audience as tsukkomi), Yokohama Satoko, Takahashi Izumi ("pain"), Yukisada Isao (situation-born originals); plus Arai Haruhiko (IP adaptation, "write what you're ashamed of"). Neighbours; sw-korean-french-screenwriting, ozu-screenplay-style. Use when writing an original Japanese-style script or TV drama, working from small material and fragments, choosing between structure-first and character-first methods, building a Japanese 企画書, designing comedy tsukkomi systems, or when Hollywood models feel wrong for a quiet, daily-life, non-goal-driven story.

Writing plays and screenplays in the Chekhovian mode (契诃夫戏剧法) — distilled from the complete plays (没有父亲的人/普拉东诺夫, 伊凡诺夫, 林妖→万尼亚舅舅, 海鸥, 三姊妹, 樱桃园, nine one-acts) plus Chekhov's own letters, Stanislavsky's and Nemirovich-Danchenko's rehearsal notes and 焦菊隐/童道明 criticism. Covers the four-act mood-based structure without central climax, off-stage events, "correct answer stated in Act 1 and refused", the announced event that never happens, three-layer endings (hope monologue + nihilist line + household action), no-villain conflict with environment, every character's object and catchphrase, one-way love chains, half-step-off dialogue, philosophy cut by thirst, the shortest words for the deepest pain, stage-direction and sound discipline, and how Chekhov revised The Wood Demon into Uncle Vanya. Use when the user wants an ensemble drama, a "nothing happens" play, subtext-heavy dialogue, a family estate / provincial story, an anti-climactic structure, or asks how to "Chekhov-ize" a script.

日本語の概要は準備中です。原文の説明を表示しています。

Implement FedRAMP requirements for federal cloud services. Configure NIST 800-53 controls and continuous monitoring. Use when providing cloud services to US federal agencies.

日本語の概要は準備中です。原文の説明を表示しています。

Generate cinematic film-style video prompts for Seedance 2.0 on Higgsfield. Use whenever the user wants cinematic, film-like, movie-quality, Hollywood-style, dramatic, or professional film-quality AI video. Triggers on: cinematic, film look, movie scene, dramatic lighting, depth of field, lens flare, anamorphic, letterbox, noir, epic, Steadicam, dolly, crane shot, or any cinematic video generation request. Always use this skill even if the user doesn't explicitly say "cinematic" but describes a film-like aesthetic.

日本語の概要は準備中です。原文の説明を表示しています。

漫剧制作总导演。接受用户故事创意，依次完成剧本创作、角色设计、分镜图生成、分镜视频生成、视频合成全流程，产物保存到 COMIC_DRAMA_OUTPUT_DIR（默认 ./output），最终交付完整漫剧视频和 TOS 链接。

日本語の概要は準備中です。原文の説明を表示しています。

Volcengine VOD audio and video processing tools skill. Use when users need VOD-based media processing or editing: upload local/URL media, stitch videos, trim clips, flip frames, change playback speed, create image-to-video, compose audio/video, extract audio, mix audio, separate vocals/accompaniment, denoise audio, enhance quality, AI super-resolution, frame interpolation, ASR speech-to-text, OCR text extraction, subtitle removal, subtitle embedding, scene slicing, portrait/green-screen matting, highlight extraction, comic style transfer, video translation, drama recap narration, drama script restoration, media info lookup, or playback URL retrieval. The skill submits async VOD jobs, polls task status, and returns generated output links. Not for pure text generation, real-time streaming, or source-free generative video creation.

日本語の概要は準備中です。原文の説明を表示しています。

Light Blender scenes professionally — three-point setups, HDRI environments, studio/cinematic/dramatic configurations, light groups, color temperature, soft vs hard shadows. Use whenever the user asks to "light the scene", "set up lighting", "make it look cinematic / dramatic / studio / outdoor / sunset", "add a key light", "use HDRI", or any lighting-related request. Make sure to use this skill even if the user does not say "light" — also covers "make it look professional", "studio shot", "moody atmosphere", "golden hour", "rim light". Pairs with blender-materials (lighting reveals materials) and blender-cameras (lighting + composition together = shot).

日本語の概要は準備中です。原文の説明を表示しています。

Use when a task needs the judgment of a Postsecondary Art, Drama, or Music Professor — diagnosing a jury/crit score that contradicts a semester of formative work, building a studio-art or performance tenure dossier around exhibitions and productions instead of publications, staffing applied one-on-one lessons or crit sections between adjuncts and full-time faculty, running a structured critique, or deciding whether a failed barrier jury means a change of major.

日本語の概要は準備中です。原文の説明を表示しています。

AI 制作的竖屏剧 / AI 漫剧（非真人拍摄）的全流程编剧工作流，从立项选题、剧本圣经设计、分集场次执行稿到 Markdown 交付包，含状态门禁与制作增强整理。当用户提到抖音 / TikTok 短剧、AI 漫剧、立项选题、锁题、世界观 / 人物 / 场景道具、故事梗概 / 大纲 / 节拍、分集大纲、场次执行稿、剧本圣经、复盘、交付清单、production-enhanced，或要为这类项目创建 / 续写 / 改编 / 复盘 / 交付时使用。不适用于真人拍摄短剧、分镜、视频提示词、配音脚本或音效表生成。

日本語の概要は準備中です。原文の説明を表示しています。

Develop a short scripted micro-drama from an idea or approved script through character sheets, storyboard frames, animated shots, and a reviewable assembly.

日本語の概要は準備中です。原文の説明を表示しています。

Requires OFOX_API_KEY — create one at https://app.ofox.ai. Generate a clean, catalog-style e-commerce product video from a real product photo (or, for a generic or fictional product, a text description) using the Ofox video API (Seedance 2.5) — runs a short creative brief (product photo, target platform and aspect ratio, background, camera orbit or turntable) when the request leaves them open, writes a plain-background, literal-accuracy prompt (precise product description, a simple camera orbit or turntable motion, no dramatic cinematography), shows a cost estimate, then calls ofox-video-core to submit, poll, download, and report the real cost. Use when a user asks to turn a product photo into catalog/listing footage, e.g. "make this product photo a 360-degree white-background showcase", "turn this photo into a white-background product video", "make a clean turntable video of this item", or "give me a 5-second white-background rotation video of this product for my listing". Do not use for cinematic brand/mood advertising (see seedance-ad-creative) or for anything involving people/dialogue (see seedance-short-drama).

日本語の概要は準備中です。原文の説明を表示しています。

Requires OFOX_API_KEY — create one at https://app.ofox.ai. Shared execution layer for the Ofox video generation API (api.ofox.ai) — creates a video job, polls it to completion, downloads the finished mp4 from a persistent CDN URL, and reports the real cost. This is a library skill, not a standalone user-facing one — it is invoked by scenario skills such as seedance-short-drama, seedance-ad-creative, and seedance-product-video, which build model/prompt/resolution choices for a specific use case and then call into this skill's script rather than re-implementing the API calls. Load this skill directly only when a user explicitly names the Ofox video API, asks to call it with specific low-level parameters, or asks to debug/resume a stuck or failed Ofox video job by job id — for a plain scenario request ("make me a short drama scene", "generate a cinematic ad clip"), use the relevant scenario skill instead, which itself depends on this one.

日本語の概要は準備中です。原文の説明を表示しています。

Master SQL query optimization, indexing strategies, and EXPLAIN analysis to dramatically improve database performance and eliminate slow queries. Use when debugging slow queries, designing database schemas, or optimizing application performance.

日本語の概要は準備中です。原文の説明を表示しています。

Prepare a defense-contractor environment for CMMC Level 2 certification: scope CUI and FCI, implement the 110 NIST SP 800-171 Rev 2 security requirements across 14 families, compute the SPRS score with the DoD Assessment Methodology, manage a compliant POA&M, and ready the organization for a C3PAO assessment. Use when an organization handles Controlled Unclassified Information (CUI) under a DoD contract, when a contract carries DFARS clause 252.204-7012/7019/7020/7021, when preparing for or responding to a CMMC assessment, when computing or improving an SPRS score, when building a System Security Plan or POA&M for 800-171, or when scoping which systems are in the CUI boundary. Keywords: CMMC, CMMC Level 2, NIST 800-171, SP 800-171 Rev 2, CUI, FCI, SPRS, DFARS 7012, C3PAO, POA&M, System Security Plan, DoD Assessment Methodology, 110 controls, defense industrial base, DIB, FedRAMP equivalency.

日本語の概要は準備中です。原文の説明を表示しています。

视频提示词规范 — 根据分镜段落内容生成按时间分段、段内可切镜的视频生成提示词

日本語の概要は準備中です。原文の説明を表示しています。

角色、场景和道具提取的规范与方法

日本語の概要は準備中です。原文の説明を表示しています。

道具最终提示词规范 — 白底单品静物，标准产品摄影视角：比例准确、边缘完整、背景不承载叙事

日本語の概要は準備中です。原文の説明を表示しています。

场景最终提示词规范 — 清晰广角建立镜头：前景/中景/后景/出入口/地面/墙面/主要陈设的固定相对位置，空间连续自洽可复用，无人物

日本語の概要は準備中です。原文の説明を表示しています。